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Alexander McQueen Final Collection
Alexander Mcqueen's final collection was shown in a series of private presentations. A highlight was a coat of gold feathers that gave way to layers of full white skirt (right). A hauntingly beautiful display that fitted the sombre mood, the late designer's posthumous offering for autumn/winter 2010 was shown in a series of private presentations.
Models with bandaged heads and feathered Mohawks made for a regal parade that paid homage to his love of the theatrical. Witnesses said t was more like a memorial service than a fashion show.
A highlight was a coat of gold feathers that gave way to layers of full white skirt - the finale to a 16-piece collection that achieved the seemingly impossible feat of surpassing even his previous season's work.
Indeed the show notes said as much, with the line: 'Each piece is unique, as was he.'
Suzy Menkes, of the New York Times, called it 'a requiem for a great designer.
'His vision of Gothic glory, with a world bathed in religious symbolism, was translated not just with immense subtlety and beauty but also with the urgent futurism that was the essence of his spirit.'
Homage: The show was a tribute to its designer, Lee Alexander Mcqueen, who committed suicide on the eve of his mother's funeral last month.
The Independent's Susannah Frankel added: 'This was a heartbreakingly beautiful and perfectly judged tribute to one of the greatest talents the fashion industry has known, realised by a tightly knit and gifted group of people who have protected his name and what it stands for since he started out.'
The series of seven presentations were held at the 18th Century Hôtel de Clermont-Tonnerre - the headquarters of the label's parent company, PPR.
Alexander McQueen Chief Executive Jonathan Akeroyd paid tribute to the designer after the show. 'It was all inspired and developed and all patterns were cut by Lee,' he said, using McQueen's given first name.
He added that it had been intense, and incredibly difficult for the design team to finish the collection after McQueen's death.
'It was well under way and the development was very much in final stages, so it was just about carrying on finishing the pieces... we had four weeks to finish his work, basically,' he said.
Akeroyd also explained the decision to cancel the original catwalk show in favour of private presentations: 'He very much had a vision for his show concept, but it didn't feel right to do that without him.
'We decided this was the best way to do it in a very low profile environment - the most appropriate way in light of what has happened.'
R.I.P Corey Haim
Corey Haim has died today, aged 38.
The Canadian actor was found unresponsive at his apartment in the Oakwood area of Los Angeles early this morning after a suspected accidental drug overdose.
His mother Judy is thought to have called the emergency services. Haim had a well-documented struggle with drug addiction.
The actor was taken by ambulance to St Joseph's hospital in Burbank, where he was pronounced dead at 2.15am.
While the LA coroner's office has yet to carry out a post-mortem, there was no evidence of foul play.
Haim had flulike symptoms before he died and was getting over-the-counter and prescription medications, Sgt William Mann of the LAPD said.
'He could have succumbed to whatever [illness] he had or it could have been drugs. Who knows?' Mann said.
'He has had a drug problem in the past.
Haim found fame in the 80s when he co-starred in a number of films, including the 1987 cult vampire film The Lost Boys, with Corey Feldman which led them to be dubbed 'The Two Coreys'.
Paying tribute tonight, Feldman said: 'This is a tragic loss of a wonderful, beautiful, tormented soul, who will always be my brother, family, and best friend.
'We must all take this as a lesson in how we treat the people we share this world with while they are still here to make a difference.
'Please respect our families as we struggle and grieve through this difficult time. I hope the art Corey has left behind will be remembered as the passion of that for which he truly lived.'
In the 90s, Haim slipped into obscurity after several films went straight to video without a cinematic release, and spent time in and out of rehab receiving treatment for a prescription drug problem.
Haim acknowledged his struggle with drug abuse to The Sun in 2004.
'I was working on Lost Boys when I smoked my first joint,' he said.
'I did cocaine for about a year and a half, then it led to crack,' he continued.
The actor said he went into rehabilitation and was put on prescription drugs. He took both stimulants and sedatives such as Valium.
In 2007, he told ABC's Nightline that drugs hurt his career.
'I feel like with myself I ruined myself to the point where I wasn't functional enough to work for anybody, even myself. I wasn't working,' he said.
'I started on the downers which were a hell of a lot better than the uppers because I was a nervous wreck.
'But one led to two, two led to four, four led to eight, until at the end it was about 85 a day - the doctors could not believe I was taking that much.
'And that was just the Valium - I'm not talking about the other pills I went through.
In 2007, he told ABC's Nightline that drugs hurt his career.
'I feel like with myself I ruined myself to the point where I wasn't functional enough to work for anybody, even myself. I wasn't working,' he said.
'I started on the downers which were a hell of a lot better than the uppers because I was a nervous wreck.
'But one led to two, two led to four, four led to eight, until at the end it was about 85 a day - the doctors could not believe I was taking that much.
'And that was just the Valium - I'm not talking about the other pills I went through.
Robert Pattinson Gossip
Robert Pattinson is taking a break from his Twilight stardom to play a rebellious New York college student in Remember Me. In the indie flick, the 23-year-old gets to explode with rage, fall in love with a girl (played by Lost’s Emilie de Ravin) and go head-to head with his domineering father (played by Pierce Brosnan).
Parade.com’s Jeanne Wolf found out what Pattinson had in common with his character’s search for identity.Acting as therapy. “I try and pick roles that will help me develop as a human being and I think I was going through a similar kind of experience as my character Tyler, which I guess you could call being rebellious. I thought just doing the film would actually help me to think about and discover things that would help me in my life. I was kind of using it as a therapy exercise.”
His personal struggle.
“You’re so focused on trying to be an individual and trying to like stamp your identity on something. But you kind of doubt what you want to be. You don’t accept just being part of the world. I sort of had that feeling. I had this obsession when I was younger about everything feeling kind of fake. Eventually, you just stop sort of railing against everything around you because most people only cause problems for themselves. They’re just blind to the reality of things.”Connecting with losing a loved one. “I keep talking about my dog all the time. It was an incredible dog, and I said in an interview recently he was the most important person in my life. My family went crazy with me for saying that. But, however ridiculous it may seem to some people, my relationship with my dog was a defining moment. Having the dog die was, literally, like the worst day of my life. It was like losing a family member.”
The reality of becoming an overnight success.
“I think you really cause yourself a lot of problems if you start fighting against it. There’s nothing you can do. I mean, there’s no mysticism to it. People recognize you and they want to talk to you, or want to see you. My trick is not to see them as a crowd. If you break down every crowd into individuals, then it’s more manageable. It’s just when you start seeing these huge masses of people screaming at you that you start going crazy. So I try to focus on a few faces and not the mass.”
But when you’re filming on location in New York… “It ended up being like more of a circus than I thought it was going to be. At the beginning, it was terrible. Then, about halfway through, I just suddenly had an epiphany about it. I don’t know what happened, but I know it’s just fine. I guess it’s just learning how to sort of block things out. It’s like you’ve just got to be more disciplined about it.”
A lesson in anger control.
“While we were filming, one of the security guys saw me getting more and more upset with the paparazzi guys. He just sort of came up and was like, ‘Imagine going out there and trying to hit one of them while, let’s say, 40 cameras are clicking away.’ That was enough to kind of calm my frustration. But, at the end of the day, you can’t say, ‘I’m not doing it until these people go away.’ You have to keep acting. So it was definitely way more intense than any of the Twilight films.”
Maybe he skips the reviews. “I didn’t like the way New Moon was treated by the critics. I think it was reviewed in the context of just being a big franchise movie. When something is so hyped, inevitably, there is a backlash against it. I think Chris Weitz is an amazing director. I really enjoyed the film. So the naysayers kind of annoyed me.”
So why not try an album?
“I kind of want to do one at the end of the year. All my friends are recording albums and I’m very annoyed about it. But I can’t do two things at once. I don’t know how people like Jennifer Lopez can act and also sing. I’m just like, ‘I can’t.’ But, hopefully, I’ll find some time to get it together.”
